(Pics: BBC, ITV, C4, BSkyB, FX, 5USA)
|Michael C Hall as Dexter|
This was probably Dexter's best outing since series one. It began with our serial killer protagonist in crisis, with his wife, Rita, murdered and his baby son discovered in a pool of her blood, which eerily echoed Dexter's own childhood trauma. The emotion-less Dexter is disconcerted, perhaps even moved a little, because by being with him, Rita – who thought she was 'getting a real human being' – has ended up butchered. The complications mounted for Dex, with his step-sister perplexed by his behaviour and his trying to deflect Lumen Pierce, whom he rescued from another serial killer, from seeking revenge. The conceit of novelist Jeff Lindsay's creation – serial killer as hero – should not work, but the black humour, the pathos, the character's deadpan voiceovers and Michael C Hall's performance makes this an unmissable and original series.
Highlight: Dexter giving Rita's family and kids the dreadful news that she's been murdered – but being so disengaged that he forgets to take off his Mickey Mouse ears while doing so.
|Jamie Bamber as DS Devlin|
9 Law & Order: UK series 4 and 5 ITV1
L&O: UK is now such a staple for ITV1 that we've had two series of it this year. The spin-off from the original US series earns its place here for its consistently good and tightly packed one-hour dramas, which frequently end on an ambivalent note. The stories also cover tough subjects, crimes by children, a gun rampage or killings by negligent doctors, for instance. The fifth season saw Dominic Rowan and Peter Davison joined the legal side of the cast, while the compelling tales continued without let-up. Bradley Walsh and Jamie Bamber have been excellent as the chalk-and-cheese detective sergeants, though sadly it looks as though that partnership has come to an end. Lead writer Emilia di Girolamo injected plenty of emotional impact into the last series, and finished it with a stunning cliffhanger…
Highlight: has to be the finale of series five, when DS Matt Devlin was shot outside court.
|Jason Isaacs as Jackson Brodie|
Novelist Kate Atkinson is not solidly in the crime genre camp, and this hugely enjoyable series caught the narrative quirks, mystery and humour of her writing brilliantly. Jason Isaacs, in a sharp contrast to his American persona in the gangster series Brotherhood, was the engaging and vulnerable tough guy Jackson Brodie, who gets dragged into the world of the Land sisters by Sylvia Syms's missing moggy. The sisters want Jackson to look into the fate of their missing sister, who vanished 30 years before. Edinburgh is the beautifully shot backdrop, and the cast, including Amanda Abbington as the tough cop with a soft spot for the wayward Jackson, was wonderful.
Highlight: any of Jackson's scenes with his young daughter, Marlee (Millie Innes).
|Janet Leach (Emily Watson) accompanies Fred West (Dominic West) to a murder site|
Dominic West showed what an accomplished star he is with this unexpected performance as the one-man horrorshow that was real-life serial killer Fred West. It was controversial, but still a haunting and unforgettable dramatisation from the award-winning team that revisited the Yorkshire Ripper and the Moors murders on the small screen. Confronting such revolting crimes in a drama is a way of attempting to gain modest perspective on them, but Appropriate Adult ultimately reinforced the feeling that such killers are beyond our understanding. Written by Neil McKay, the drama cleverly approached the horrendous story from an oblique angle, that of housewife Janet Leach, who was the required Appropriate Adult brought in to chaperone the apparently below-averagely intelligent West – a powerful performance by Emily Watson.
Unforgettable moment: Janet Leach's uncomprehending expression as West tells detectives about his crimes.
|Will Sully be a Top Boy?|
Channel 4 is not a top producer of crime dramas, but if it only makes one a year that is as potent as Top Boy then it will be worth waiting for. A four-parter that took a hard look at inner-city drug and gang culture, our escort into this world was 13-year-old Ra'Nell (Malcolm Kamulete), whose mother is hospitalised after a breakdown. The programme caught the pressure on young men such as Ra'Nell to ally themselves with gangs for status, but the price exacted by the likes of Dushane (Ashley Walters) and Sully (Kano) – both also desperate to be top boys, despite the huge risks – was unflinchingly shown.
Highlight: Raikes telling Dushane he has to give up Sully to the Feds. Reality bites…
5 The Field of Blood BBC1
Based on a Denise Mina novel, this was a gem of a drama that the Beeb seemed almost embarrassed to put out for some reason (10.15pm, Monday night?). But it got a lot of things right. The characters, particularly young Jayd Johnson as Glasgow newspaper 'copyboy' Paddy Meehan, were believable and sympathetic, and the 1980s were as sexist and rocking musically as many would have remembered them. David Morrissey played the bullying editor with a heart, and Peter Capaldi was excellent as the old hack. And the story of a young woman with ambitions beyond marriage and a crap job who sets out to discover the truth behind a child murder that has implicated her 10-year-old cousin was captivating. Someone should commission more dramas based on Mina's novels.
Highlight: Paddy's character-defining punch-up in the ladies with glamour-puss reporter Heather.
|Steve Buscemi as Nucky|
Few dramas have the scope and ambition of this HBO epic. From the mega-budget opening episode, it's been an engrossing attempt to revisit an extraordinary period in American history. Steve Buscemi has been mesmerising as Enoch 'Nucky' Thompson, the brazenly corrupt treasurer of Atlantic City, whose policy is less Prohibition than anything goes. Melding real historical figures – politicians, government agents and gangsters such as Al Capone and Lucky Luciano – with the sweep of the jazz age backdrop has brought this age of political madness vividly to life. And it's been extraordinary watching the performances of two Brits in the cast – Kelly Macdonald as Margaret, Nucky's mistress, and Stephen Graham as Capone, who doesn't look remotely Neapolitan but in every episode appears about to erupt like Vesuvius. It's won a glut of awards, including eight Emmys, and will return for a third series.
Highlight: the whole of the opener directed by Martin Scorsese – a kaleidoscope of music, partying and corruption.
|Timothy Olyphant as Raylan|
The second series may have had the edge over the terrific first series, with a strong story arc that saw gun-happy deputy US marshal Raylan Givens facing off with Dixie mafia boss Mags Bennett and her vile sons. The magic of the series, drawn from a character created by the crime writers' crime writer, Elmore Leonard, is that the setting – a rural Kentucky mining town – is fresh and well depicted, with its clans and bonehead villains and good ol' boys. However, while Mags (an Emmy-winning performance from Margo Martindale) may have been surrounded by boneheads in her clan, she was sadistic, menacing and well-mannered all at the same time. Timothy Olyphant was again laid-back and almost as cool as Paul Newman in the title role, while Natalie Zea as his on-off-on other half added glamour and attitude. Nick Searcy as Raylan's put-upon boss, Art Mullen, gave the show heart and a lot of laughs. Series three will be racked and ready in 2012…
Highlight: the deadly confrontation between Raylan and Mags's son, Coover.
|Watch your back – The Shadow Line|
In a strong year for conspiracy thrillers – Hidden, Exile, Page Eight – Hugo Blick's The Shadow Line stands out. Great cast – Chiwetel Ejiofor, Christopher Eccleston, Stephen Rea, Rafe Spall, Kierston Wareing, Antony Sher – in a creepy and dark story featuring a trio of psychos to give you nightmares. Stephen Rea was unforgettable as the puppetmaster Gatehouse, Rafe Spall pulled off the best nut job since Ben Kingsley in Sexy Beast, and Freddie Fox simpered as the morally blank Ratallack. Kierston Wareing, who seemed to appear in just about every good crime show this year from The Runaway to Top Boy, was terrific as the sexy, acid-tongued detective sergeant Honey. Blick's wordy scenes and extraordinary characters created a drama that was not realistic, but felt like a nightmare of foreboding. Midsomer Murders this was not.
Highlight: the moment when Gatehouse finally catches up with the mysterious Glickman, played by Antony Sher. What an amazing showdown.
|Bloody business for Sarah Lund (Sofie Gråbøl)|
It has to be. There had been subtitled crime series around – the Swedish Wallander, for instance – but The Killing, tucked away on BBC4, took everyone by surprise, including the Beeb. It notched up more viewers than Mad Men, set blog comment boxes buzzing (CrimeTimePreview was inundated with feedback from adoring viewers), and showed that mainstream US and UK formats – murder, neat resolution by detective – often lacked any emotional impact at all. This 20-parter did not use the disappearance and murder of teenager Nanna Birk Larsen as a plot device to kick off a voyeuristic mystery, but explored the horrendous emotional shock of the crime on her family and on detective Sarah Lund. The show wasn't perfect, being over-stretched with red-herrings, but its dark intrigue and whole-hearted performances from the unknown cast (in Britain, at least) – Sofie Gråbøl, Søren Malling, Lars Mikkelsen, Bjarne Henriksen, Ann Eleonora Jørgensen – made viewers fascinated with all things Danish and guaranteed a bunch of awards, including a Bafta and several CWA Crime Thiller Daggers.
Highlight: the way Sarah Lund's initially frosty relationship with her blunt instrument of a colleague, Jan Meyer, evolves silently and without histrionics, so that when Meyer is murdered the moment is shocking and sad.
Single-Handed, Braquo, Spiral, Romanzo Criminale, Garrow's Law, Exile, Mad Dogs, Martina Cole's The Runaway, Sons of Anarchy
Ringers – dafter than a very daft thing. Silent Witness – gratuitous and voyeuristic.
Spooks – wiped out by ill-judged decision to schedule it against Downton Abbey. Deserved better.
Letdown of the year
Hidden – started really well, but final episode was such a disappointment.